And there it is, the December issue of SAIL, the first issue in the history of the magazine that does not bear the name Charles E. Mason III on the masthead. “Chip” as his oldest friends call him, was a founding editor. Issue number one hit the stands in February, 1970 and I do mean hit. There is a whole generation of sailors now that can’t be expected to know what a revelation was SAIL. The industry standard was Yachting Magazine, fusty and narrow and set in its ways. The name comparison alone tells you something, and long before the decade was out, SAIL led the industry.
Via email, Charles E. “Chip” Mason III, former Executive Editor of SAIL, declined to be interviewed here, judging that he preferred to leave his recollections “in the drawer.” In typical fashion, however, he did divest himself of a few suggestions as to stories he thinks I really ought to be writing. Once an editor, always an editor.
(Note for that generation that can’t be expected to know: At the time SAIL was launched, One Design magazine had recently morphed into One Design & Offshore Yachtsman, a niche player, and had not yet blossomed into Sailing World.)
Absent an interview, we shall say nothing of Mason’s formative experiences in the Navy, serving on a destroyer-minesweeper, his escape from a banking career to the world of sail and voyaging, his ready embrace of every new technology, his encyclopedic knowledge of the industry, his America’s Cup coverage, his transatlantic trips, his daily walk to work from Beacon Hill to SAIL’s Boston office whatever the weather, his gentleman-journalist, buttoned-down, impeccable New England manner occasionally accented with a bow tie, or his youthful reputation as the right guy to have on the bow of your boat.
I’ve never worked inside the office at SAIL. I’ve always been off riding the range somewhere, and my encounters with Charles E. “Chip” Mason III have been warm but usually too brief. So it gave me a grin to hear from David (my fellow editor-at-large) Schmidt, about spending time in the office as the new kid. “My marching orders were to work with Charles,” he says, “but Charles didn’t want to give me the time of day. At least, not until he saw that I was going to work as hard as he did. After that, I couldn’t have had a finer role model for editing, for life.”